Inabnutan
Ifugao man’s backpack used in long journeys including headtaking raids. Made out of hair like fibre of a plant that serves as protection from rain. The Bontocs also have fangao which are similar to this.
Additional Info
- Number: 042691
- Dimensions: 63 x 62 x 28 cm
- Material: Plant Fibres
- Year of Accession: 1905
- Collector: Gustav Niederlein
- Ethnic Group: Ifugao
- Functional Context: Headtaking
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Falfeg or Falfog
Spear with a single barbed steel point shaped like a fish tail. Spearhead was fastened to the wooden shaft. A basketry weave of rattan ferrule was used to strengthen the shaft where the square-shaped tang is secured. A cone shaped iron cap was placed on the base of the shaft to protect the spear when while it was used as a staff by men walking along the trails. Possibly a Bontoc falfeg.
Fangkao
Spear with steel point shaped like a laurel. Spearhead was fastened to the wooden shaft. A iron ferrule and basketry weave of rattan ferrule were used to strengthen the shaft where the square-shaped tang is secured. Almost half of the shaft was burned by incendiary bombs that hit the Linden-Museum during WW II.
Hip’ag amulet
A wooden anthropomorphic figure seated on a carved platform. With patina. Figures like this embody the powers of the Hip’ag war deities that were invoked during rituals dealing with any form of violence and related acts. Hip’ag deities were often associated to hunting, sorcery and curing unusual illness. Hip’ag objects may also take the shape of animals such as a boar. According to the collector, this object was “several generations” old when he acquired it.
Human Remains
A head tied on a wooden board together with a wooden spear blade and dry leaves.
Kalasag
Wooden shield carried for protection during warfare. Mound shaped and forked with three prongs atop and two prongs at it base. Rattan basketry was woven near the prongs to help keep the wood together. The designs that have been etched and blackened resemble distinct tattoo designs of Kalinga warriors. Colourful basketry weave was used to design the prongs. Some of the basketry weave have worn out. Handle at the back was carved.
Kalasay
Wooden shield. Mound shaped and forked with three prongs atop and two prongs at it base. Rattan basketry was woven to help keep the wood together. Handle at the back was carved. With patina. Paper label stating that it was displayed at the St. Louis Fair is pasted at the back of the shield.
Panilipo
Spear with a single barbed steel point shaped like a fish tail. Bigger sized spearhead was fastened to the wooden shaft. A basketry weave of rattan ferrule was used to strengthen the shaft where the tang is secured. The base was burned by incendiary bombs that hit the Linden-Museum during WW II. Possibly a Bontoc falfeg.
Panilipo
Spear with a single barbed steel point shaped like a fish tail. Bigger sized spearhead was fastened to the wooden shaft. A basketry weave of rattan ferrule was used to strengthen the shaft where the round tang is secured. The base was burned by incendiary bombs that hit the Linden-Museum during WW II. Possibly a Bontoc falfeg.
Panilipo
Spear with a single barbed steel point shaped like a fish tail. Spearhead was fastened to the wooden shaft. A iron ferrule and a basketry weave of rattan ferrule were used to strengthen the shaft where the round-shaped tang is secured. The based was burned by incendiary bombs that hit the Linden-Museum during WW II.
Sinalawitan
Spear with multi-barbed steel point shaped like a fish tail. Spearhead was fastened to the wooden shaft. A iron ferrule and a basketry weave of rattan ferrule were used to strengthen the shaft where the tang is secured.
Wooden Spear Shaft
Shaft of a wooden spear from the Luzon Cordilleras. Ethnic group unknown. The base was burned by incendiary bombs that hit the Linden-Museum during WW II. Originally part of a collection of 11 spears registered under the same number; all seem to have been destroyed during WW II.
Aus dem Gästebuch – From the Guestbook
- Diese virtuelle Ausstellung ist ein Gewinn. Sie informiert interessant und eingehend über eine Sammlung, die sonst nicht besichtigt werden kann. Eine Ausstellung ist zwar besser. doch alles kann nicht immer… Written by Max Heinzelmann on Monday, 20 February 2017 09:00